In ESSENTIA V, architecture and pictorial matter intertwine in a dialogue between the visible and the essential. Habitable space, a symbol of human refuge, begins to dissolve amidst glazes, gestures, and abstract planes that question the boundaries between the constructed and the felt.
Color—especially blues and violets—acts as emotional and vital energy, while the white matter introduces a suspended, almost meditative silence. This contrast between chromatic vibrancy and luminous stillness transforms the painting into a realm of introspection. The work marks a transition towards the posthuman: architecture no longer belongs to the functional order, but to thought. Space ceases to be a physical refuge and becomes a perceptual field, where painting replaces structure and emotion replaces design.
In ESSENTIA V, figuration opens up to the territory of the conceptual, exploring the balance between order and dissolution.
