ESSENTIA VI represents one of the most refined syntheses within the ESSENTIA collection. In this work, I consolidate the dialogue between modern architecture, the geometry of color, and the emotional atmosphere that defines my pictorial language.
The composition articulates a habitable space—a white house and a contained swimming pool—in contrast to the unexpected presence of a caravan, a symbol of displacement and nomadic life. This element introduces anarrative about contemporary living, situated between the stability of shelter and the freedom of movement.
From a posthuman perspective, the work questions the models of domesticity and spatial control characteristic of modernity. In ESSENTIA VI, space becomes thought, and light becomes essential matter: a reflection on the fragility of humanity in the face of architectural idealism.
