This work continues the line of reflection begun in other pieces of the series, especially in Essentia XI and Essentia XII, where nature is presented as a memory that remains beyond architecture. The white house, silent and clean, tries to occupy the space; however, the trees projected to the right —which were there before construction— reveal that nature never completely disappears. There are no human figures, butIts presence is felt in every void; there are no physical trees, but organic life insists on existing. My work investigates that posthumanist balance between structure and essence, between the constructed and the natural. 🟦 In this piece, the painting is further enhanced by a video installation that amplifies the sensory experience through subtle movements of light and water. This extension invites the viewer to immerse themselves in the same state of silence and contemplation that inspired the artwork.
